2020. 1. 24. 07:53ㆍ카테고리 없음
Pirates of the caribbean 1 مترجم pirates of the caribbean 2017 مترجم pirates of the caribbean 2 مترجم pirates of the caribbean 4 مترجم pirates of the caribbean 3 مترجم pirates of the caribbean on stranger tides مترجم pirates of the caribbean dead man's chest مترجم pirates of the caribbean memes. Home Movies English Movies Pirates Of The Caribbean: Dead Men Tell No Tales (2017) Sinhala Subtitle Pirates Of The Caribbean: Dead Men Tell No Tales (2017) Sinhala Subtitle Chethiya Dissanayake July 1, 2017 Action, Adventure, fantasy.
. All countries.
United States. United Kingdom. Canada. Australia. Germany. France. Spain.
Italy. Argentina. Austria. Belgium. Brazil. Bulgaria.
Chile. China. Colombia. Czech Republic.
Denmark. Finland. Greece. Holland.
Hong Kong. Hungary. Iceland.
Indonesia. Ireland. Israel.
India. Japan.
Malaysia. Mexico. New Zealand.
Norway. Philippines. Poland. Portugal. Romania. Russia.
Singapore. South Africa. South Korea.
Sweden. Switzerland.
Pirates Of The Caribbean 1 Sinhala Sub
Taiwan. Thailand. Turkey. Ukraine.
United Arab Emirates. Pirates of the Caribbean: Dead Men Tell No Tales (2017)Pirates of the Caribbean: Dead Men Tell No Tales Blu-ray delivers truly amazing video and audio in this excellent Blu-ray releaseCaptain Jack Sparrow searches for the trident of Poseidon.For more about Pirates of the Caribbean: Dead Men Tell No Tales and the Pirates of the Caribbean: Dead Men Tell No Tales Blu-ray release, see published by Martin Liebman on September 19, 2017 where this Blu-ray release scored 4.0 out of 5.Directors:,Writers:,Starring:,Producers:,». Pirates of the Caribbean: Dead Men Tell No Tales Blu-ray ReviewDead Franchises Should Make No More Movies.Reviewed by, September 19, 2017has been a major moneymaker for Disney,even with some steadily declining domestic box office returns.
Take worldwide gross into account and the first film, The Curse of the BlackPearl, remains the low-water mark while this fifth film, Dead MenTell No Tales, holds down fourth place. Return on investment hasn't been much of an issue, but steadily declining critical reviews are, and thatproved particularly troubling during Summer 2017 that saw a steady decline in box office revenue as well as a steady stream of panned blockbusters,including this Pirates film. But there's no denying that the films have lost appeal and gained bloat (even as this is the trimmest of thefranchise in terms of gross runtime) while failing to innovate, prancing around the same core qualities that shaped the first film and that has beenshaping and defining the franchise ever since. Gone is the freshness, here is the staleness, a franchise that has become dependable only in its abilityto recreate itself not in terms of innovation but rather recreate itself in terms of throwing the same elements onto the screen time and again.Henry Turner (Brenton Thwaites) has dedicated his life to finding a way to free his father Will (Orlando Bloom) from eternal captivity on theFlyingDutchman. He believes he's found the answer: Poseidon's Trident, a powerful ancient item that can control the seas and everything therein.He ultimately teams up with an amateur astronomer and horologist, the spirited Carina (Kaya Scodelario), whose connection to the seas runs deep.Healso finds himself working alongside Jack Sparrow (Johnny Depp), the perpetually tipsy captain who has lost much of his crew and his treasuredcompass. But in losing it, he inadvertently unleashes Captain Armando Salazar (Javier Bardem) and his crew of undead sailors who are seekingrevenge on Sparrow, who fated them to their hellish existence many years ago.Dead Men Tell No Tales might be new in name, but it can't shake a feeling of franchise fatigue that permeates nearly every moment.Another crew of cursed sailors made up of complexvisual effects? Been there, done that.
Action scenes could be dropped into any other film in the franchise and, with a few tweaks to the digitalanimation to swap out characters, they'd fit right in. Character moments, gags, and the movie's basic cadence feel all-too-familiar. The plot isbloatedand contrived and even some main characters feel unnecessarily tacked on and thrown in, shoved to the forefront for story convenience more thananything else.
The movie isn't exactly teeming with reasons to watch. Even the aforementioned special effects, as fantastic as they may be andwhichextend well beyond Salazar and his crew, cannot be considered a draw, not when they're just variations on the same style seen in the pervious fourfilms and certainly not when several other overwrought Summer blockbusters are competing in the same marketplace of empty stories propped upbyendless and increasingly complex visual effects. It's all window-dressing masking a dull story and largely directionless meandering for a series inneedof retirement or, at least, a very long respite.Yet even with all the negatives swirling around throughout the film's two-plus-hour runtime, a few enjoyable positives do creep in.
Jack Sparrow atone point finds himself on death's doorstep, strapped into a guillotine with a couple of severed heads already in a basket in front of him. Of coursehehandles the situation as only he would, with some choice quips. He is ultimately rescued, quite unexpectedly and literally at the last second, in anunconventional manner that results in one of the movie's most creative and enjoyable scenes. Depp, of course, inhabits the character as only hecan, verballyand physically capturing the classic Sparrow cadence like he just stepped off the first film's set; it's a career-defining character, for better or forworse, and in Dead Men he's as good as ever, even if the material limits him in many scenes. The film also features an extensive flashbackto Jack's younger days, when he was first entrusted with the compass, before he became the man audiences have grown to love over the pastdecade and a half. Computer effects help present him as a fresh-faced teenager, essentially, and fighting his first battle against the then-livingSalazar and company. It's one of the series' best sequences; it's a shame it's wrapped up in an otherwise forgettable entry that feels like it shouldhave been two shorter films, one focused on Salazar and one on Turner's search for his father.
Pirates of the Caribbean: Dead Men Tell No Tales was digitally photographed and the Blu-ray transfer is impeccably clean and precise. Theimage presents with gorgeous texturing, robust colors, perfect blacks, and little-to-no source or encode anomalies. Textures of great visual significanceare readily apparent throughout. Battered and weathered woods on ship's decks, torn and tattered banners and sails, dense seafaring costumematerials, Barbosa's deeply carved facial features, and bunched and individual hair are just some of the mainstay highlights.
The Blu-ray deliversso much robust texturing and intimate clarity it's almost like being there on the set; no element, near or far, is left wanting for anything else the formatcan muster for it. Colors are just as impressive, bold and flawlessly saturated, alive and revealing no shortage of punch and vitality.
The palette'sdiverse shades - from the brightest reds to the dullest grays - never want for increased precision, nuance, or vibrance. Foggy seas, densely darknights, andother less visually complex but no less technically demanding scenes never stumble. Blacks are perfectly deep and true. Flesh tones appear spot-on.Blu-ray doesn't get any better.
Pirates of the Caribbean: Dead Men Tell No Tales sails onto Blu-ray with a power-packed and constantly engaged DTS-HD Master Audio 7.1lossless soundtrack (note that Disney continues in the ways of Sony by not offering the 's Atmos track on Blu-ray, though in this case, it's the UHD that's missingout on this track). Intensive surround activity engages right off thebat as a fire engulfs the rear channels. A thunderous low end jolt accompanies Henry's plunge to the ocean floor. The powerful aquatic depth putspressure on every speaker, and moments later the Flying Dutchman surfaces from its watery grave with extreme potency and ribcage-rattlingbass.Water splashes about anddrips around with remarkable precision. Footfalls follow rearward. It would be easy, and fitting, to simply give a blow-by-blow of the track'sdominance, as it seems to best itself with every new sequence, but suffice it to say that there's never a dull moment and, more important, a momentwhen the track doesn't engage with both power and precision alike.
Be it cannon fire that thumps with prodigious weight and from all over the stage,all of the wonderfully clear and perfectly positioned creaks and moans that sonically define an old wooden ship-at-sea, the eerie natural (or unnatural,as the case may be) sounds as the ship enters the triangle near film's start, drenching rains, or airy dialogue reverberation, there's no shortage of funandreference-worthy moments along the film's course. Expert dialogue reproduction makes this track complete.
Pirates of the Caribbean: Dead Men Tell No Tales contains several extras. This ship has sailed, as the saying goes. Dead Men Tell No Tales may offer serviceable entertainment, great visual effects, and thereturn of fan-favorite characters, but it also offers more of the same of everything else. There's no identity, a convoluted plot, forgettable newfaces, and repetitive action. And with talk of a sixth film on the drawing board and with the resounding chorus of 'hang it up!' Echoing along ship'sdeck, the filmmakers had better find a way to reinvent the franchise, though no doubt the next film will be a moneymaker, too, regardless of criticalvoices, franchise fatigue, or stale plot elements. It's only a question ofhow much it'll make.
Today's movie are all about ROI. Pirates of the Caribbean: Dead Men Tell No Tales does excel onBlu-ray. Video and audio are of reference quality. Supplements are fine. Fans can buy with absolute confidence, but those fatiguing on the franchiseshould wait for a good sale before dropping any money on it.